Nellie Melba - Opera Singers, Career and Family

Home  ›  Australian  ›  Nellie MelbaMay 19, 1861144 views

5.0 based on 2 rates

Nellie Melba's Personal Details

Dame Nellie Melba was a world-famous Australian opera soprano, best remembered for her beautiful singing and powerful stage presence

InformationDetail
BirthdayMay 19, 1861
Died onFebruary 23, 1931
NationalityAustralian
FamousSingers, Opera Singers
Known asMelba, Nellie
Universities
  • Presbyterian Ladies' College
  • Melbourne
Birth PlaceRichmond
GenderFemale
FatherDavid Mitchell
Sun SignTaurus
Born inRichmond
Famous asOpera Singer
Died at Age69

// Famous Singers

Nellie Melba's photo

Who is Nellie Melba?

Dame Nellie Melba, born Helen Porter Mitchell, was a world-famous Australian opera soprano, best remembered for her beautiful singing and powerful stage presence. She adopted the alias ‘Melba’ after her home town, Melbourne. She was the first Australian to achieve global success as an opera singer. Her shows were conducted regularly at Covent Garden in London and at the Metropolitan Opera in New York. Early in life, she studied singing in Melbourne. However, following an unsuccessful marriage, she travelled to Europe to establish her singing career. After an initial period of struggle and further studies in Paris, she became the leading lyric soprano at Covent Garden, London. Gradually, she became famous all over Europe and performed at the Metropolitan Opera, New York. In the span of her career, she sang for around 25 roles. Apart from being a wonderful singer, she was also fairly charitable and collected funds during the First World War. During early 20th century, she returned to Australia to sing in operas and teach music at the Melbourne Conservatorium. She sang and made ‘farewell’ appearances till her last days. Her death was mourned by admirers all over the world. Undoubtedly, she was an exceptional coloratura of her time and one of the biggest icons of the early 20th century.

// Famous Opera Singers

Childhood & Early Life

Nellie Melba was born on 19 May 1861, in Richmond, Victoria, to builder David Mitchell and his wife Isabella Ann née Dow Mitchell. Melba was the eldest surviving child of the family and had seven younger siblings.

Right from childhood, she received piano lessons. She studied singing with Mary Ellen Christian and Pietro Cecchi, and received her education at a local boarding school. Later, she studied at the Presbyterian Ladies' College. Her first public performance was at the age of six.

During her teen years, she performed in amateur concerts and as a church organist. She received encouragement in pursuing musical studies from her father but he strongly disapproved of it as a career. Meanwhile, at the age of 20, she lost her mother.

The family eventually shifted to Mackay, Queensland, where her father built a new sugar mill. Soon after, she became popular in the region for her musical skills.

After a short unsuccessful marriage to Charles Armstrong, she decided to pursue a singing career and debuted professionally in 1884. She was assisted in organising her concerts by flautist John Lemmone, who became a ‘lifelong friend and counsellor’.

Career

Considering her success in Melbourne, she travelled to London in search of better opportunities. However, her debut at the Princes' Hall in 1886 failed to create an impression.

Nellie Melba then went to Paris to study with Mathilde Marchesi, who immediately recognised her talent. She made rapid progress and within a year, impresario Maurice Strakosch assigned her a ten year contract at 1000 francs annually.

Almost immediately, she received a better offer of 3000 francs per month from the Théâtre de la Monnaie, Brussels. However, Strakosch restrained her from accepting it. She finally regained her freedom when Strakosch suddenly expired.

She made her opera debut on 12 October 1887 at La Monnaie as Gilda in ‘Rigoletto’ and a few nights later as Violetta in ‘La Traviata’. It was around this time that she adopted the alias of ‘Melba’.

In May 1888, she debuted in London’s Covent Garden in the title role of ‘Lucia di Lammermoor’. Her performance received a luke-warm response. Snubbed on being offered a smaller role in the following season, she left England. In 1889, she performed in the role of Ophélie in Hamlet at the Opéra in Paris.

Soon, her strong ally in London, the influential Lady de Grey begged her to return. She consented and was cast in ‘Roméo et Juliette’ at the Covent Garden.

After this, she returned to Paris to perform the roles of Ophélie, Lucia, Gilda, Juliette, and Marguerite. Her pronunciation in French was weak, but the composer Delibes was satisfied with her singing. In the next few years, she performed in the top European opera houses of Milan, Berlin and Vienna.

In December 1893, she debuted at the Metropolitan Opera in New York as Lucia di Lammermoor. Her performance received a half-hearted response. However, her later performance in ‘Roméo et Juliette’ was successful and established her as the foremost prima donna of her era, in succession to Adelina Patti.

From the 1890s, she played assorted roles at Covent Garden, mostly in the lyric soprano repertoire. She sang the title roles in Herman Bemberg's ‘Elaine’ and Arthur Goring Thomas's ‘Esmeralda’.

Her Italian roles were Gilda in Rigoletto, Desdemona in Othello, Nedda in Pagliacci, Violetta in La traviata, Mimi in La bohème, etc. Likewise, her French roles were Juliette in Roméo et Juliette, Marguerite in Faust, the title role in Saint-Saëns's Hélène (written for her), Micaëla in Carmen, etc. Some of these roles required her to play the second donna which she readily obliged.

By the turn of the 20th century, she was a celebrity in Britain and America. She first returned to Australia in 1902–03 for a concert tour, and visited New Zealand as well. The profits were exceptionally high and she returned for four more tours later during her career.

In Britain, she promoted Puccini's ‘La bohème’; she had first sung the part of Mimi in 1899, having studied it with the composer. She strongly supported the production of the work although it was opposed by the Covent Garden management. She was finally proved right by the public’s response.

Her appearances in her “artistic home” Covent Garden gradually reduced in the 20th century. This was because first, she disliked Sir Thomas Beecham, who was in-charge of Covent Garden from 1910 till her retirement. Secondly, she was required to appear next to her junior yet successful soprano Luisa Tetrazzini and thirdly, she chose to spend more time in Australia.

In 1909, she undertook a “sentimental tour” of Australia, visiting many far-flung towns. She also bought a property at Coldstream, a small town near Melbourne, and two years later built a home there that she named ‘Coombe Cottage’.

Simultaneously, she also set up a music school in Richmond, which she later merged with the Melbourne Conservatorium. In 1911, she partnered with the J. C. Williamson Company for an operatic season in Australia.

During the First World War, she actively raised £100,000 funds for war charities. In recognition of her effort, in March 1918, she was made a Dame Commander of the Order of the British Empire (DBE) “for services in organising patriotic work”.

Post war, she made a triumphant return to the Royal Opera House, with a performance of ‘La bohème’. This re-opened the house after almost four years of closure.

In 1922, she returned to Australia again, and performed at the immensely successful ‘Concerts for the People’ held in Melbourne and Sydney. The tickets were low priced and attracted 70,000 people.

In 1926, she made her leave-taking appearance at Covent Garden, singing scenes from Roméo et Juliette, Othello, and La bohème.

In Australia, she had a never-ending series of ‘farewell’ appearances including stage performances in the mid-1920s, and concerts in Sydney, Melbourne, and Geelong through 1928.

In 1929, she returned for the last time to Europe before visiting Egypt, where she got a nagging fever. Her last performance was on 10 June, 1930 in London, at a charity concert.

She helped flourish the careers of several younger singers and taught for many years at the Melbourne Conservatorium, searching for a “new Melba”. She even published a book about her methods.

Major Works

Her repertoire across her entire career is 25 roles, of which, only ten are closely associated with her. Her most frequent roles were Marguerite in Gounod's ‘Faust’ and Mimi in Puccini's ‘La bohème’, both of which she studied under the supervision of the composer.

Her autobiography ‘Melodies and Memories’ was published in 1925 and mostly ghost-written by her secretary Beverley Nichols.

Awards & Achievements

Melba was made Dame Commander of the Order of the British Empire in 1918 for her charity work during World War I, and was promoted to Dame Grand Cross of the Order of the British Empire in 1927. She was the first Australian to feature on the Time magazine cover, in April 1927.

She is one of only two singers with a marble bust on the grand staircase of the Royal Opera House, Covent Garden London.

The Melbourne Conservatorium was renamed the Melba Memorial Conservatorium of Music in 1956.

Personal Life & Legacy

On 22 December 1882, Melba married Charles Nesbitt Frederick Armstrong in Brisbane. The couple’s son, George, was born on 16 October 1883. The marriage was unsuccessful as Charles allegedly used to beat his wife. The couple separated after a year.

In the early 1890s, she had an affair with Prince Philippe, Duke of Orléans. When spotted together frequently, Charles filed for a divorce on the grounds of adultery, accusing the Duke as well. Although Charles eventually withdrew the case, the scandalised Duke left for a two-year African safari without Melba and their relationship faded out. Charles and Melba finally divorced in 1900 in Texas.

Towards the end of her life, she returned to Australia. She died of septicaemia on 23 February 1931, at St Vincent's Hospital, Sydney. She was given an elaborate funeral from Scots' Church, Melbourne and was buried in the cemetery at Lilydale, near Coldstream.

Trivia

Her name is associated with foods such as Peach Melba, Melba toast, etc. created in her honour by the French chef Auguste Escoffier.

// Taurus Celebrities

Nellie Melba biography timelines

  • // 1000
    Nellie Melba then went to Paris to study with Mathilde Marchesi, who immediately recognised her talent. She made rapid progress and within a year, impresario Maurice Strakosch assigned her a ten year contract at 1000 francs annually.
  • // 19th May 1861
    Nellie Melba was born on 19 May 1861, in Richmond, Victoria, to builder David Mitchell and his wife Isabella Ann née Dow Mitchell. Melba was the eldest surviving child of the family and had seven younger siblings.
  • // 22nd Dec 1882 To 16th Oct 1883
    On 22 December 1882, Melba married Charles Nesbitt Frederick Armstrong in Brisbane. The couple’s son, George, was born on 16 October 1883. The marriage was unsuccessful as Charles allegedly used to beat his wife. The couple separated after a year.
  • // 1884
    After a short unsuccessful marriage to Charles Armstrong, she decided to pursue a singing career and debuted professionally in 1884. She was assisted in organising her concerts by flautist John Lemmone, who became a ‘lifelong friend and counsellor’.
  • // 1886
    Considering her success in Melbourne, she travelled to London in search of better opportunities. However, her debut at the Princes' Hall in 1886 failed to create an impression.
  • // 12th Oct 1887
    She made her opera debut on 12 October 1887 at La Monnaie as Gilda in ‘Rigoletto’ and a few nights later as Violetta in ‘La Traviata’. It was around this time that she adopted the alias of ‘Melba’.
  • // May 1888 To 1889
    In May 1888, she debuted in London’s Covent Garden in the title role of ‘Lucia di Lammermoor’. Her performance received a luke-warm response. Snubbed on being offered a smaller role in the following season, she left England. In 1889, she performed in the role of Ophélie in Hamlet at the Opéra in Paris.
  • // Dec 1893
    In December 1893, she debuted at the Metropolitan Opera in New York as Lucia di Lammermoor. Her performance received a half-hearted response. However, her later performance in ‘Roméo et Juliette’ was successful and established her as the foremost prima donna of her era, in succession to Adelina Patti.
  • // 1899
    In Britain, she promoted Puccini's ‘La bohème’; she had first sung the part of Mimi in 1899, having studied it with the composer. She strongly supported the production of the work although it was opposed by the Covent Garden management. She was finally proved right by the public’s response.
  • // 1900
    In the early 1890s, she had an affair with Prince Philippe, Duke of Orléans. When spotted together frequently, Charles filed for a divorce on the grounds of adultery, accusing the Duke as well. Although Charles eventually withdrew the case, the scandalised Duke left for a two-year African safari without Melba and their relationship faded out. Charles and Melba finally divorced in 1900 in Texas.
  • // 1902
    By the turn of the 20th century, she was a celebrity in Britain and America. She first returned to Australia in 1902–03 for a concert tour, and visited New Zealand as well. The profits were exceptionally high and she returned for four more tours later during her career.
  • // 1909
    In 1909, she undertook a “sentimental tour” of Australia, visiting many far-flung towns. She also bought a property at Coldstream, a small town near Melbourne, and two years later built a home there that she named ‘Coombe Cottage’.
  • // 1910
    Her appearances in her “artistic home” Covent Garden gradually reduced in the 20th century. This was because first, she disliked Sir Thomas Beecham, who was in-charge of Covent Garden from 1910 till her retirement. Secondly, she was required to appear next to her junior yet successful soprano Luisa Tetrazzini and thirdly, she chose to spend more time in Australia.
  • // 1911
    Simultaneously, she also set up a music school in Richmond, which she later merged with the Melbourne Conservatorium. In 1911, she partnered with the J. C. Williamson Company for an operatic season in Australia.
  • // Mar 1918
    During the First World War, she actively raised £100,000 funds for war charities. In recognition of her effort, in March 1918, she was made a Dame Commander of the Order of the British Empire (DBE) “for services in organising patriotic work”.
  • // 1922
    In 1922, she returned to Australia again, and performed at the immensely successful ‘Concerts for the People’ held in Melbourne and Sydney. The tickets were low priced and attracted 70,000 people.
  • // 1925
    Her autobiography ‘Melodies and Memories’ was published in 1925 and mostly ghost-written by her secretary Beverley Nichols.
  • // 1926
    In 1926, she made her leave-taking appearance at Covent Garden, singing scenes from Roméo et Juliette, Othello, and La bohème.
  • // 1928
    In Australia, she had a never-ending series of ‘farewell’ appearances including stage performances in the mid-1920s, and concerts in Sydney, Melbourne, and Geelong through 1928.
  • // 1929 To 10th Jun 1930
    In 1929, she returned for the last time to Europe before visiting Egypt, where she got a nagging fever. Her last performance was on 10 June, 1930 in London, at a charity concert.
  • // 23rd Feb 1931
    Towards the end of her life, she returned to Australia. She died of septicaemia on 23 February 1931, at St Vincent's Hospital, Sydney. She was given an elaborate funeral from Scots' Church, Melbourne and was buried in the cemetery at Lilydale, near Coldstream.
  • // 1956
    The Melbourne Conservatorium was renamed the Melba Memorial Conservatorium of Music in 1956.

// Famous Australian

Nellie Melba's FAQ

  • What is Nellie Melba birthday?

    Nellie Melba was born at 1861-05-19

  • When was Nellie Melba died?

    Nellie Melba was died at 1931-02-23

  • Where was Nellie Melba died?

    Nellie Melba was died in Sydney

  • Which age was Nellie Melba died?

    Nellie Melba was died at age 69

  • Where is Nellie Melba's birth place?

    Nellie Melba was born in Richmond

  • What is Nellie Melba nationalities?

    Nellie Melba's nationalities is Australian

  • What was Nellie Melba universities?

    Nellie Melba studied at Presbyterian Ladies' College, Melbourne

  • Who is Nellie Melba's father?

    Nellie Melba's father is David Mitchell

  • What is Nellie Melba's sun sign?

    Nellie Melba is Taurus

  • How famous is Nellie Melba?

    Nellie Melba is famouse as Opera Singer