Peter Lorre

Peter Lorre got married three times. His first wife was actress Celia Lovsky. The couple had no children. They divorced in 1945. In the same year, Lorre married Kaaren Verne, who was also an actress. This marriage too was short-lived. Lorre soon got married to Anne Marie Brenning. The couple had a daughter, Catherine, who died in 1985 due to diabetes.

Lorre suffered from chronic gall bladder disease. Doctors prescribed morphine to ease his pain, but he got addicted to it. Though he got over the addiction after some time, it cost him a lot professionally. Peter Lorre died of a stroke in 1964. He suffered the stroke on the same day when a hearing was fixed for a divorce petition filed by his third wife. His body was cremated and interred in ‘Hollywood Forever Cemetery.’

Peter Lorre was born on June 26, 1904, in Rozsahegy, Hungary. His birth name was Laszlo Lowenstein. His parents, Alajos and Elvira, were of Jewish origin. Lorre’s father served as a lieutenant in the Austrian army. When Lorre was four years old, his mother died, leaving his father with three young kids. His father married for a second time, to his deceased wife’s best friend, Melanie Klein. Lorre did not share good relations with his stepmother.

When the Second Balkan War broke out in 1913, Alajos moved to Vienna with his family. Lorre received his elementary and secondary education in Vienna. After completing his studies, he took up the job of a bank clerk. But the stage-struck Lorre could not continue with his job, and left home to pursue acting and theaters.

At the age of 17, Lorre began acting by doing stage shows with Viennese artist, Richard Teschner. In the early 1920s, Lorre did several stage plays in Zurich and Berlin. He played the role of ‘Dr. Nakamura,’ in the musical comedy, ‘Happy End.’

Lorre got his first big break in the German movie, ‘M,’ which was released in 1931. It was directed by Fritz Lang. In the movie, Lorre played the role of a serial killer, who killed small children. It was the first major role played by Lorre and he delivered it to perfection. The director had Lorre in mind while writing the script and selected him, without even a screen test. With his hoarse voice, protruding eyes, and exceptional acting, Lorre immortalized the character of ‘Hans Beckert’ in the movie.

After the success of ‘M,’ Lorre was typecast and appeared as villain in several movies. When Nazis took over Germany in 1933, he moved to London and got a chance to meet the famous director, Alfred Hitchcock. In 1934, Lorre was offered a role in the Hitchcock movie, ‘The Man Who Knew Too Much.’ Though Lorre had little command over English language at the time, he learned his part phonetically and performed extremely well.

In 1934, Peter Lorre signed a contract with ‘Columbia Pictures,’ and moved to America with his first wife, actress Celia Lovsky. ‘Columbia’ lent Lorre to ‘Metro-Goldwyn-Mayer’ as they could not find suitable roles for him. In 1935, Lorre’s first American movie, ‘Mad Love,’ was released by ‘MGM.’ In this horror movie, he played the part of ‘Dr. Gogol,’ an insane and wicked surgeon. The role earned him a lot of critical acclaim.

In 1935, Lorre appeared in the lead role in ‘Columbia Pictures’ movie ‘Crime and Punishment.’ In the 1930s, Lorre played the role of ‘Mr. Moto,’ the fictional Japanese secret agent. ‘Mr. Moto’ was gentle and harmless on the outside, but dangerous and ruthless, when situation demanded. This character perfectly suited Lorre and he excelled in his performance. Between 1937 and 1939, eight ‘Mr. Moto’ motion pictures were released, all of which had Lorre as the main character. Though Lorre was initially upbeat about this character, he lost interest later and was frustrated.

Actor Eugene Weingand resembled Lorre in looks and he tried to take advantage of this resemblance by changing his name to ‘Peter Lorie.’ But court rejected his petition. After the death of Lorre, Eugene claimed to be his son.

Lorre’s daughter, Catherine, was kidnapped by a serial killer, Kenneth Bianchi, with an intention to extort money. But when he came to know that Catherine was the daughter of Lorre, he immediately let her go.

Lorre disliked being associated with horror movies. He liked the tag, “psychological terror” instead of “horror.” He once said, “I don’t want to go down in history as a monster.” He always thought that Hollywood failed to fully utilize his talents.

Lorre’s accented talk and protruding eyes were very popular with comedians and cartoonists. Caricature of his face was used in many cartoons of ‘Warner Bros.’