Miley Cyrus’ “Flowers” tops the Billboard Hot 100 for a third week, spanning its entire run on the charts since it started at No. 1. With its continued lead, it builds on its predecessor’s three-week rule Market leader, “Wrecking Ball”, in 2013.

Meanwhile, The Weeknd’s “Die for You,” which returns to No. 6 on the Hot 100, becomes the No. 1 hit on radio and reaches the top of the Radio Songs chart, and Lil Uzi Vert hits her seventh spot on the Hot 100 Top 10, while “Just Wanna Rock” climbs from #12 to #10.

The Hot 100 brings together all genres of US streaming (official audio and video), radio airplay and sales data. All charts (as of February 11, 2023) will be updated tomorrow (February 7) on Billboard.com. For all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram.

“Flowers”, released on Smiley Miley/Columbia Records, achieved 56.4 million radio airplay audience impressions (up 38%) and 48 million streams (down 20%) from January 27 to February 27 and sold 37,000 copies ( down 43%). 2, according to Luminate.

The single spends a third week at #1 on both the Streaming Songs and Digital Song Sales charts, and charts at #11-6 on Radio Songs, where it makes Cyrus’ fourth top 10 – and for the first time since “Wrecking Ball” (4th place). , 2013). She first hit the region with “The Climb” (No. 7) and returned with “Party in the USA” (No. 8), both in 2009.

Having racked up 48 million weekly streams in the most recent tracking week, after posting 59.7 million the week before and 52.6 million the week before, “Flowers” becomes the first non-holiday song with three consecutive weeks with 40 million streams or more since Olivia Rodrigo’s “Good 4 U” recorded four such frames in a row (May 29 to June 19, 2021).

“Flowers” also joins a sales streak not matched since 2021, as it becomes the first song to sell over 30,000 copies in three consecutive weeks, after moving 65,000 a week ago and 70,000 the week before. since Coldplay and BTS’ “My Universe.” sold over 30,000 each in the first four weeks (9th to 30th October 2021).

“Flowers” introduces Cyrus’ eighth studio album, Endless summer vacationdue March 10.

SZA’s “Kill Bill” ranked #2 on the Hot 100 for its fourth week with 48.6 million radio views (up 28%), 32.5 million streams (down 5%) and 2,000 units sold (down 3%). It outperforms Hot R&B/Hip-Hop Songs and Hot R&B Songs, which use the same methodology as the Hot 100, for an eighth week each. The track also becomes her first Top 10 as a Leading Actress on Radio Songs (15-10) and her third overall, following her starring roles in Maroon 5’s What Lovers Do (#5, 2017) and Doja Cat’s Kiss Me More ( No. 2, 2021).

Metro Boomin, The Weeknd and 21 Savage’s “Creepin’” Climbs from No. 4 to New Hot 100 No. 3 High; Taylor Swift’s ‘Anti-Hero’ slips 3-4 after leading by a personal best for eight weeks; and “Unholy” by Sam Smith and Kim Petras remains at No. 5 after reigning for a week in October.

The Weeknd’s “Die for You” bounces back to #6 on the Hot 100 Best, from #7 to #1 on radio songs, up 5% to 85.2 million airplay viewers. The track topped Radio Songs over six years after its original release on The Weeknd’s album starboysparked by a surge of interactions on TikTok over the past few months, leading to Republic Records officially promoting it on radio.

The Weeknd adds its fifth No. 1 radio song, after “Earned It (Fifty Shades of Grey)” (for four weeks), “Can’t Feel My Face” (seven) and “The Hills” (five), all in 2015 and “Blinding Lights,” which dominated for a record-breaking 26 weeks from April to October 2020.

starboy previously spawned two Top 3 Radio Songs hits: his title cut (#2, 2016) and “I Feel It Coming” (#3, 2017), both with Daft Punk. (“Die for You” completes the longest journey from a track’s release to its crowning glory on Radio Songs since charting in 1990.)

“I’m Good (Blue)” by David Guetta and Bebe Rexha descends the Hot 100 6-7 after peaking at No. 4 as it tops the Hot Dance/Electronic Songs multimetric chart for a 20th week ; “Rich Flex” by Drake and 21 Savage is steady at No. 8 on the Hot 100 after peaking at No. 2 as it tops the Hot Rap Songs multimetric chart for a 12th week; and Harry Styles’ “As It Was” remains at No. 9 on the Hot 100 after 15 weeks at No. 1 that began last April, the fourth-longest spell in chart history.

Lil Uzi Vert’s “Just Wanna Rock” rounds out the top flight of the Hot 100 from 12 to 10 with 28.7 million airplay viewers (up 10%), 15 million streams (up 5%) and 1,400 copies sold (up 14%). .

The rapper lands his seventh top 10 on the Hot 100 with the standalone single after highlighting Migos’ “Bad and Boujee” (three weeks at #1, 2017) and his own “XO TOUR Llif3” (#7). , 2017), “Futsal Shuffle 2020” (No.5, 2019), “Baby Pluto” (No.6, 2020), “Lo Mein” (No.8, 2020) and “Silly Watch” (No.9, 2020).

Rock on: “Just Wanna Rock” is the first top 10 on the Hot 100 with “rock” in the title since…well, just last month, when two Christmas classics graced the leaderboard: “Rockin’ Around the Christmas Tree” by Brenda Lee, and “Jingle Bell Rock” by Bobby Helms, ranked at their respective peak spots of Nos. 2 and 3. Another such song rolled into the top 10 in the ’20s: DaBaby’s “Rockstar,” starring Roddy Ricch, reigned for seven weeks as of June 2020 . Not that “Just Wanna Rock” is considered a rock song (since it hasn’t appeared on any). from billboard‘s rock-based charts; it holds its top spots at #2 and #5 on Hot Rap Songs and Hot R&B/Hip-Hop Songs, respectively). The last rock chart hit with “rock” in the title to make the top 10 of the Hot 100? Nickelback’s “Rockstar” peaked at #6 in 2007.

Again, for all chart news, you can follow @billboard and @billboardcharts on both Twitter and Instagram, and all charts (as of February 11th), including the Hot 100 in their entirety, will be on Billboard tomorrow (February 7th). .com updated. .

Luminate, the independent data provider of the billboard Charts, completes an in-depth review of all data submissions used in compiling weekly chart rankings. Luminate verifies and authenticates data. In a relationship with billboarddata deemed suspicious or unverifiable is removed based on specified criteria before final chart calculations are made and published.

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