Paul Taylor is one of the most illustrious American choreographers of the 20th century
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Paul Taylor is one of the most illustrious American choreographers of the 20th century
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He formed the ‘Paul Taylor Dance Company’ in 1954, which is considered one of the premier dance institutes of the 20th century. The company has performed in more than 500 cities in 62 countries.
He has worked closely with other dancers/choreographers including Martha Graham, Laura Dean, Dan Wagoner, Elizabeth Keen, Senta Driver and Lila York.
The ‘Paul Taylor Dance Foundation’ was established to help promote Taylor’s works to the largest possible audiences around the globe.
Paul Taylor was born on July 29, 1930 in Pittsburgh, Pennsylvania, during the period of the ‘Great Depression’ in the United States. He was raised in Washington D.C.
In the 1940s, he studied at Syracuse University, where he was a swimmer and was also into painting. During his time at the university, he read up a few books on dance and immediately applied to Juilliard School.
He obtained a B.S. degree in dance from Juilliard in 1953 and had the opportunity to train under the legend, Martha Hill. The following year, he formed his own troupe of dancers and began to put together his first pieces of dance work.
He joined the Martha Graham Dance Company in 1955 as a soloist, while he continued to tutor and mentor his group. The following year, he choreographed his first comedy piece, which became a huge hit called, ‘3 Epitaphs’.
In 1959, he was invited by Balanchine to be a guest artist with New York City Ballet. He performed with his troupe for the first time the following year, in Europe.
In 1962, he enchanted dance lovers with the choreography of, ‘Aureole’, which was set to contemporary music.
In 1963, he choreographed, ‘Scudorama’, which was an ‘apocalyptic’ piece and was considered to be the first of his ‘dark’ pieces in contrast to ‘Aureole’, which was ‘sunny’. Two years later, he toured the whole of South America under the International Cultural Exchange Program of the US State Department.
He shot to both fame and notoriety after one of his boldest choreographies ‘Big Bertha’ debuted on stage. The choreography was centered on the theme of ‘incest’, which appalled and amazed different audiences.
In 1962, he created one of his most famous dance pieces, ‘Aureole’, which was his first major success. He set his trailblazing modern movement to a contemporary score but to a music composed 200 years earlier. This choreography became an instant classic and was even used for ballet productions by the Paris Opera Ballet and the Royal Danish Ballet, much later.