Milton Avery

Milton Avery’s Childhood And Early LifeMilton Avery was born on 7 March in the year 1885 in Altmar, New York. His father was a tanner. Avery started working at a local factory at an early age of 16 and supported himself with succession blue-collar jobs. In 1915, after the death of his brother-in-law, he became the only adult male member of the family and was responsible for nine female relatives. He attended art classes at Connecticut League of Art Students in Hartford and over a period, he painted in obscurity while receiving a conservative art education. In the year 1917, he began doing night jobs so that he could paint in the daytime. Avery worked in manufacturing and with an insurance company until 1924.Personal LifeIn the year 1924, he met Sally Michel, a student at the Art students League in New York and moved to New York City to be closer to her. In 1926, they got married. In this time, Avery changed his date of birth to 1893, perhaps to reduce his age difference with Sally. Sally’s income as an illustrator gave him the chance to devote himself completely to painting. Their daughter March Avery was also a painter. Avery was a man of few words. "Why talk when you can paint?" he often quipped to his wife.CareerMilton Avery moved to New York in 1924. For several years in the late 1920s and through the late 1930s, Avery practiced painting and drawing at the Art Students League of New York. Roy Neuberger saw his work and with an intention of getting the world to know Avery, Neuberger bought over 100 of his paintings and lent them to museums across the globe. This brought the budding artist great fame. Avery had his first solo art exhibition in the year 1928 at the Opportunity Gallery in New York, which also featured mark Rothko and the two became close friends. He befriended many other artists such as Adolph Gottlieb, Barnett Newman and Marsden Hartley. Due to Avery’s innovative and colorful landscape paintings, he was often said to be American Matisse. Although his paintings became increasingly abstract, he never fully abandoned representational subject matter, painting figure groups, still lives, landscapes, and seascapes. By mid-1940s, Avery's work was characterized by a reduction of elements and elimination of detail, filled with an emphasis on arbitrary colors that was discernibly close to Matisse. Early in his career, his work was considered too radical for being too abstract. And when abstract expressionism became dominant, his work was overlooked for being too representational. In the year 1929, a museum called The Philips Collection in Washington D.C. bought his work. It was also the first museum to offer him a chance of solo museum exhibition in 1944. In 1963, he was elected a Fellow of the American Academy of Arts and Sciences.Death And LegacyMilton Avery died on 3 January 1965 and was buried in the artist cemetery, in Woodstock, Ulster County, New York. After the death of Avery, his widow, Sally Avery, donated his personal papers to the archives of American Art, a research center of the Smithsonian Institute. The papers were scanned in 2007 and were made available to the researchers as the Milton Avery Papers Online. Avery became famous posthumously and is now considered one of the most influential artists in the USA of the 20th century.Major WorksVermont Hills 1936Gaspe - Pink Sky 1940Self-portrait 1941Autumn 1944Bridge to the Sea 1944Three Cows on Hillside 1945Man and Dog 1950Maternity 1950Sheep 1952Green Sea 1954White Wave 1954Dark Forest 1958Sea Grasses and Blue Sea 1958Black Sea 1959Spring Orchard 1959