Martin McDonagh

Martin McDonagh was born on March 26, 1970 in London. His father was a construction worker and mother was a housekeeper. McDonagh family lived amongst the Irish communities in London in Elephant and Castle area and later shifted in a low-rented neighborhood in Camberwell. He has a brother named John with whom he has shared a close and argumentative relationship.

Both the brothers were sent to Roman Catholic schools. In their younger years, they visited their father’s hometown Connemara in summers, which inspired McDonagh to use it as a setting in many of his plays later.

He was known to be a big fan actor Al Pacino and he used to watch his movies on television. It was in 1984, he saved money from his odd jobs and went to watch his first play at the age of 14 - a David Mamet drama, American Buffalo, starring Al Pacino in the lead.

John left studies at the age of 16, for he wanted to become a writer and Martin did the same thing when he reached the same age. Without proper education and jobs, they both ended up on public assistance and took over their paternal house in London when their parents left for good for Ireland.

For the next 10 years, Mcdonagh watched his favorite movies and read his favorite writers like Vladimir Nabokov, Jorge Luis Borges, etc., and did small jobs like working at the supermarket and working as a part-time administrative assistant at the British Department of Trade and Industry. During these years, he started writing dark short stories based on folk tales.

McDonagh, after collecting a good number of his short stories, started sending these stories to film companies, expecting that someone will be interested in one of his stories and adapt it into a short film. But he could not get any big opportunity except for the fact that some of his plays were adapted into Australian radio plays.

In 1994, when his brother went to California to study screenwriting, McDonagh did continuous writing for a stretch of 9 months and wrote his seven first plays. The first play that he wrote was called ‘The Beauty Queen of Leenane’. He started sending these plays to various theater companies but got rejected from everywhere until the Druid Theater, Galway, Ireland, accepted the same.

In 1996, the play ‘The Beauty Queen of Leenane’ was premiered at Druid. The play was appreciated for its tight drama and black humor. The story revolves around the main protagonist of the play ‘Maureen’ who lives with her mother and they are both entangled in a relationship of hate and contempt. The play did very well on the Broadway for two years and was nominated for the Tony Award.

In the same year, after years of struggle and living on public assistance, he became a well known literary celebrity in British Isles. He was awarded the Most Promising Playwright prize of the London Evening Standard Theatre Awards. In 1997, two of his other plays, ‘A Skull in Connemara’ and ‘The Lonesome West’, were staged in Galway. ‘The Lonesome West’ received a Tony Award nomination in the Best Play of 1998 class.

In 1997, ‘The Cripple of Irishmaan’, ‘The Lieutenant of Irishmore’ and ‘The Pillowman’ were staged in the Royal Court Theater in London. The production, especially ‘The Crippleman of Irishmaan’ made him distinct in the creative circuit and he became the first playwright after Shakespeare to have many plays being staged on the professional London stage, concurrently.

This playwright and screenwriter is known to be have innovated a new genre of theater called the ‘In Your Face’ theater.

His First play ‘The Beauty Queen of Leenane’ was inspired by the stories that McDonagh heard from his mother who worked as a cleaner in London and received the same abuse at work as shown to be experienced by the main protagonist of the play.

McDonagh was religious as a child but lost his faith by the age of 12 when he started listening to his brother’s punk-rock records.

Many critics compare McDonagh’s work with celebrated Irish playwrights like John Millington Synge and David Mamet.

In an interview to the New Yorker, McDonagh has said that he has written and said enough as a young playwright, now in order to write more for the stage he needs to experience more in life.