Margot Fonteyn

She was once in a long-term relationship with composer Constant Lambert during the late 1930s and early 1940s.

In 1955 she married Dr Roberto Arias, a Panamanian diplomat to London. The initial years of their marriage were difficult because of her husband’s infidelities, however, they grew closer in their later years. Her husband was shot by a rival politician in 1964 and left a quadriplegic for the rest of his life.

In 1989, Fonteyn was diagnosed with cancer and died on 21 February 1991, aged 71.

She was born as Margaret Evelyn Hookham on 18 May 1919 in Reigate, Surrey. Her father was British while her mother was half-Irish half-Brazilian. She had one brother.

Her mother enrolled her for ballet classes when she was four. A few years later, she moved to China with her parents after her father accepted a job with a tobacco company there. In China, she studied ballet with Russian émigré teacher George Goncharov.

Having displayed considerable potential as a future ballerina, she returned to London when she was 14 to pursue a ballet career. She trained with Serafina Astafieva and went to the Sadler's Wells Ballet School with Vera Volkova.

In 1933, she joined the Vic-Wells Ballet School, the predecessor of today's Royal Ballet School. There she received training under the direction of some great ballet teachers like Ninette de Valois, Olga Preobrajenska and Mathilde Kschessinska which led to her development as a skillful ballerina.

She adopted the stage name Margot Fonteyn while embarking on a professional ballet career.

A graceful dancer devoted to the art form, Margot Fonteyn quickly rose through the ranks in the Royal Ballet. During the 1930s she performed leading roles in ballets like ‘Giselle’, ‘Swan Lake’ and ‘The Sleeping Beauty’. She was also appointed Prima Ballerina.

She formed a great professional collaboration with choreographer Sir Frederick Ashton. She became his muse and he created leading roles for her that were as challenging as they were fulfilling. She performed in many of his ballets including ‘Apparitions’, ‘Nocturne’, ‘Les Patineurs’, ‘A Wedding Bouquet’ and ‘The Wise Virgins’.

She gave her best when performing with a partner. During the 1940s, she formed a very successful professional pairing with Robert Helpmann and the duo travelled and performed frequently for several years. She also danced regularly with Michael Somes.

Her successful ballet career continued throughout the 1950s. She became president of the Royal Academy of Dancing in 1954.

In her early 40s, she first partnered with Rudolf Nureyev, a man several years her junior. This artistic collaboration would prove to be the most glorious one of her career and would also lead to their lifelong friendship. They first performed together in ‘Giselle’ in 1962 when she was 42 and he was 24. The performance was a resounding success.

Her role of Aurora in a 1939 revival of ‘The Sleeping Beauty’ earned her much acclaim. It was the first time the ballet had been successfully performed outside Russia and it led to the ballet becoming extremely popular in several countries.

Her performance of the title character, a water nymph, in the ballet ‘Ondine’ is one of her most celebrated roles. Created by the choreographer Sir Frederick Ashton and composer Hans Werner Henze, it was originally produced for the Royal Ballet in 1958. Fonteyn, with her delicate features and graceful movements played the role of the gentle and loving Ondine to perfection.