John Waters

Waters is quite open about his sexuality. He is a homosexual and has never shied away from publically accepting it. Although, not much is known about his partners but he is quite openly gay. He is also an active supporter of the gay rights and gay pride.

John Waters was born on 22 April 1946 in Baltimore, Maryland to Patricia Ann and John Samuel Waters. His father was into manufacturing of fire-protection equipments and theirs was an upper-middle class family. He grew up in Lutherville, a suburban area of Baltimore. The family belonged to Roman Catholic belief. He went to Calvert Hall College High School and graduated from Boy’s Latin School, Maryland. From the very young age Waters was drawn towards movies.

When he was seven years old, he was enthused by the movie called ‘Lili’ and it inspired a love for puppets in his heart. He was known to be violent and dark from the very childhood. He used to perform violent adaptations of ‘Punch and Judy’ at children’s birthday parties. When he was a teenager, his grandmother gifted him his very first 8mm film camera. He was into watching movies appropriate for his own age; he used to watch adult only films at the local drive-ins through his binoculars.

Waters’ friends, just like him, had a taste for counter culture art. They were anti mainstream culture and in 1960s together they started to shoot silent 8mm and 16mm films in Baltimore. These movies were secretly screened in Baltimore church to an underground audience. Audiences were drawn through secret word of mouth and leaflet campaigns on the street. Steadily his filmmaking technique started growing more mature and polished and the subject of his movies was becoming more and more bizarre. This attracted more young and creative, likeminded audience to his underground screenings.

The first ever proper short film that Waters made is called ‘Hag in a Black Leather Jacket’ and it was screened only once in a coffee shop known as ‘Beatnik Coffee House’ but in his later years he exhibited the movie for a travelling photography exhibition. In 1966, Waters went to the New York University but his heart was not into it. According to him the kind of art and creativity he was into was completely opposite to what they preferred at the NYU. Not many days after joining the university, Waters and his friends were expelled as they were caught smoking marijuana on the NYU grounds.

Getting thrown out of NYU compelled Waters to come back to Baltimore and there he started filming short films like: ‘Roman Candles’ and ‘Eat Your Makeup’. Later he began to make films of longer length like: ‘Mondo Trasho’ and ‘Multiple Maniacs’. His childhood friend Glenn Milstead, also known as Divine, became the chief actor in his experimental movies. All of his early movies included local actors from Baltimore and were shot in Baltimore itself. His conglomerate of actors included, Mink Stole, Cookie Mueller, Edith Massey, David Lochary, Mary Vivian Pearce, etc.

Waters first formal success came with ‘Pink Flamingos’ in 1973. The movie is said to have stretched the peripheries of propriety and had extreme characterization. It contained inflated situations, very far off reality and the dialogues of the movie were also hyperbolic. This was the basic trend of all of his movies. There is a particular climax scene at the end of the movie which is infamous for its main lead, Divine, eating dog feces.

In 1981, Waters made a move from bizarre creativity to more of controlled and mainstream cinema. His first mainstream film called ‘Polyester’ was released in the same year, which starred Divine and Tab Hunter in it. After ‘Polyester’, Waters came up with many mainstream movies like: ‘Hairspray (1988)’, ‘Cry-Baby (1990)’, ‘Serial Mom (1994)’, ‘Pecker (1998)’ and ‘Cecil B. Demented (2000)’. Although these movies complied with the basics of the commercial cinema, they still had Waters’ patent creative strangeness to them.

In 2004, Waters released his conflict-ridden creative work called ‘A Dirty Shame’, starring Johnny Knoxville. In the same year, he appeared in a cameo in ‘Jackass Number Two’ and in ‘Seed of Chucky’ in which his character was called ‘Pete Peters’. In 2007, he hosted an American dramatization of marriages that ended in murder on the Court TV, called ‘Til Death Do Us Part’.

Waters has always been attracted to the grotesque and dark. The earliest dark memories that he has got is of a blood stained car seat that he saw in a yard sale and contemplated about horrid car accidents.

He says that he thinks dark but he does not live it. He claims himself and his life to be very different from his cinema.

This film director, comedian and art collector subscribes to 80 magazines monthly.

He has a collection of over 80,000 books.

His ‘Hairspray’ has been converted into a musical Broadway and it was re-made in 2007 with John Travolta starring in it. ‘Cry Baby’ has also been turned into a musical Broadway.