Don Ameche

Don Ameche married Honore Prendergast in 1932 and had six children together. The couple welcomed their first child, son Don Ameche Jr. on October 3, 1933. They had their last child, daughter Constance Victoria Ameche on February 22, 1948. Honore died in 1986, leaving behind a grieving Don Ameche after over five decades of marriage.

Ameche died on December 6, 1993, in Scottsdale, Arizona at his son’s residence. He suffered from prostate cancer which eventually caused his death. He was 85. He was cremated and the ashes were later buried at the Resurrection Catholic Cemetery in Iowa.

Don Ameche was born as Dominic Felix Amici in Kenosha, Wisconsin, on May 31, 1908, to Felice Amici, a professional bartender, and Barbara Etta. His father was of Italian ancestry and his mother was of German, Scottish, and Irish bloodline.

He had seven siblings: three brothers, Umberto (popularly known as Bert), James (commonly known as Jim Ameche, also an actor), and Louis, as well as four sisters, Catherine, Mary, Elizabeth, and Anna.

He went to Marquette University and also attended the Loras College. He then proceeded to the University of Wisconsin to complete his studies. He aspired to become a lawyer one day, but as the years went by, he found himself more drawn to acting and theatrical performances.

During his college days, Don Ameche learned a lot about acting, appearing regularly in his college dramas. When he was at the Marquette University, a lead actor failed to show up during a stage show. Don was encouraged by his friends to take the opportunity and he grabbed the offer.

Before entering the show business, Ameche spent a lot of time in his college stage productions, performing and learning the skills. He later appeared on Vaudeville.

Don Ameche got his first chance to work in a film in 1935, appearing as a prisoner in the film ‘Clive of India,’ and later that year had another appearance in the film ‘Dante's Inferno’. However, in both these films, he was not credited and had to wait for another year to get an official debut in the film industry. He appeared as ‘Karl Freyman / Mario Signarelli’ in the film ‘Sins of Man’ (1936).

Within three years, Ameche established himself as one of the most valuable actors in Hollywood, working in over ten films. Between 1937 and 1939, he appeared in several important films showcasing his dramatic acting skills as well as his comedic side. Some of his important works in the 1930s were ‘Ramona’, ‘Ladies in Love’, ‘One in a Million’, ‘Love Is News’, ‘Fifty Roads to Town’, ‘You Can't Have Everything’, ‘Love Under Fire’, ‘Happy Landing’, ‘Alexander's Ragtime Band’, ‘Gateway’, ‘The Three Musketeers’, and ‘Midnight’.

In 1939, Ameche appeared in the fictional biopic of the great Alexander Graham Bell, playing the inventor’s character in the film ‘The Story of Alexander Graham Bell’. This movie became so popular that Ameche became an icon and people started taking his name in reference to Alexander Graham Bell’s invention, the telephone!

In the next decade, he appeared in over twenty movies, some of which were critically acclaimed and very popular. He appeared in the 1943 Technicolor American comedy film ‘Heaven Can Wait’ as ‘Henry Van Cleve’, acting alongside Gene Tierney and Charles Coburn. The film was based on a play titled ‘Birthday’ by Leslie Bush-Fekete and it was nominated at the Academy Awards in the ‘Best Cinematography – Color’, ‘Best Director’ and ‘Best Picture’ categories.

Some of his other films like ‘Wing and a Prayer’, ‘Greenwich Village’, ‘So Goes My Love’, and ‘Sleep, My Love’ were also fairly popular among the audiences.

After appearing in the fictionalized biopic of Alexander Graham Bell in the 1939 film ‘The Story of Alexander Graham Bell,’ Don Ameche became very popular and his name became a catchphrase for the word “telephone,” with people saying “Ameche” to indicate the word telephone!

In 1985, he appeared in the film ‘Cocoon’ and won the ‘Academy Award for Best Supporting Actor’. He also returned in the sequel of the movie titled ‘Cocoon: The Return’, earning a lot of praise from both the critics and the audience.