Carroll Baker

@Actresses, Timeline and Family

Carroll Baker is a former American actress popular as both a serious dramatic actress and a blonde bombshell

May 28, 1931

AmericanFilm & Theater PersonalitiesActressesGemini Celebrities
Biography

Personal Details

  • Birthday: May 28, 1931
  • Nationality: American
  • Famous: Film & Theater Personalities, Actresses
  • Spouses: Donald Burton (m. 1978–2007), Jack Garfein (m. 1955–1969), Louie Ritter (m. 1953–1953)
  • Childrens: Blanche Baker, Herschel Garfein
  • Birth Place: Johnstown, Pennsylvania, United States
  • Height: 165cm

Carroll Baker born at

Johnstown, Pennsylvania, United States

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Birth Place

She married Louie Ritter in 1953. She later claimed that he had raped her in the early stages of their relationship. The marriage ended within a year.

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Personal Life

Her second marriage was to director Jack Garfein, a Holocaust survivor, in 1955. The couple had two children. This marriage too ended in 1969.

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Personal Life

She married for the final time in 1978. Her third husband was British theater actor Donald Burton. They remained together until Burton’s death in 2007.

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Personal Life

Carroll Baker was born on May 28, 1931, in Johnstown, Pennsylvania, to Edith Gertrude (née Duffy) and William Watson Baker, who was a traveling salesman. Her parents broke up when Carroll was eight and she went to live with her mother and younger sister. Her childhood was a difficult one spent in poverty as her mother struggled as a single parent.

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Childhood & Early Life

She attended Greensburg Central Catholic High School where she was a debate team member and active in the marching band and school musicals. She then proceeded to the St. Petersburg College (then St. Pete Junior College).

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Childhood & Early Life

During her late teens she began working as a magician's assistant on the vaudeville circuit and joined a dance company. She eventually moved to New York City where she worked as a nightclub dancer and also took a job as a chorus girl in traveling vaudeville shows.

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Childhood & Early Life

Carroll Baker enrolled at the Actors Studio in 1952 and studied under Lee Strasberg. Naturally talented, she learned method acting with her classmates Mike Nichols, Rod Steiger, Shelley Winters, and Marilyn Monroe.

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Career

She appeared in a few commercials before making her debut in a small role in the musical ‘Easy to Love’ (1953). This led to offers to appear on the Broadway, followed by more film roles.

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Career

In 1956, she played the supporting part of Luz Benedict II in ‘Giant’ opposite Elizabeth Taylor, Rock Hudson, and James Dean. The same year, she also appeared as Baby Doll Meighan in the film ‘Baby Doll’ as a young virgin bride. The film, with its sexually explicit themes, helped create a “sex symbol” image for Baker.

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Career

Following the success of ‘Baby Doll,’ she received a steady stream of film roles that required her to play the sex symbol. Not wanting to be stereotyped, she refused many of these films and chose to appear in more serious acting roles in movies such as ‘The Miracle’ (1959) in which she played a nun, and ‘Something Wild’ (1961) in which she portrayed a rape survivor.

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Career

She played a cynical, alcoholic movie star in the 1964 hit ‘The Carpetbaggers’ which once again brought her sex symbol image to the fore. Following this film, she was typecast as a blonde bombshell in many other movies such as ‘Sylvia’ (1965) and ‘Harlow’ (1965).

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Career

Carroll Baker is best known for her role as a sexy 19-year-old virgin bride in the black comedy ‘Baby Doll.’ The film, though controversial for its implicit sexual themes, was also a hugely popular one that established Baker’s status as a sex symbol. The film was also a critical success, earning nominations for several Golden Globe awards, as well as four Academy Awards and four BAFTA Awards.

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Major Works

She portrayed Eve Prescott Rawlings in the Western film ‘How the West Was Won,’ sharing the screen space with the likes of Henry Fonda, Carolyn Jones, Karl Malden, Gregory Peck, George Peppard, and Robert Preston. A super hit at the time of its release, the film was selected for preservation in the National Film Registry of the Library of Congress as being deemed "culturally, historically, or aesthetically significant" in 1997.

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Major Works