Andre Bazin

French film director, François Truffaut dedicated his film ‘The 400 Blows’ to Bazin; so did Jean Renoir who dedicated the revival of ‘The Rules of the Game’ to Bazin.

He was born on 18 April 1918, in Angers, France. His father was a bank clerk. The young Andre primarily grew up in the town of La Rochelle, near the Atlantic Ocean.

His parents sent him to a school connected with a catholic monastery where he performed well and proved to be a bright student. He loved to read and was an intelligent and curious child. He had an idyllic childhood, living in a rustic home beside a stream.

He loved to explore nature and its mysteries. His fascination with animals led him to convert the balcony of his house into a mini zoo which housed snakes, lizards, and other creatures he gathered from the woods.

He moved with his family to Paris where he attended a high school in the suburb of Courbevoie and won several scholarships. As a teenager his aim was to become a teacher and he got admitted into the Ecole Normale Supérieure in St. Cloud, a prestigious education school.

Once again his academic success continued and he read contemporary French thought, becoming familiar with the works of philosophers like Henri Bergson and Emmanuel Mounier. He also read the film writings of Roger Leenhardt, deriving inspiration from him.

The Sorbonne University planned a student cultural group called the Maison des Lettres (House of Literature) and Bazin was chosen as one of its organizers. The group was primarily set up to compete against the other student groups established by the pro-Nazi government.

The war was a difficult period for all the citizens of France, Bazin included. He was much interested in the resistance movement and immersed himself in theater, literature, and theory. He spent much of his time reading the works of Ernest Hemingway and John Dos Passos.

Around this time he started a cinema club along with a friend. During that time films were considered as merely a form of entertainment and not much significance was accorded to them. The distribution of films was also strictly controlled by the German censors.

In 1943, he began writing about films. Along with Jacques Doniol-Valcroze and Joseph-Marie Lo Duca he co-founded the film criticism magazine, ‘Cahiers du cinema’, in 1951, which went on to become a popular publication.

Over his career he wrote about two thousand short articles on films, drawing inspiration from a wide variety of sources including philosopher Jean-Paul Sartre’s ‘les Temps modernes’. Even though film making was not considered a serious profession during his time, he correctly predicted that a day would come when students would study cinema in college.